{"id":117434,"date":"2025-04-29T20:22:09","date_gmt":"2025-04-29T20:22:09","guid":{"rendered":"https:\/\/logon.media\/?post_type=logon_article&#038;p=117434"},"modified":"2025-04-29T20:22:09","modified_gmt":"2025-04-29T20:22:09","slug":"dve-romanticke-basne","status":"publish","type":"logon_article","link":"https:\/\/logon.media\/sk\/logon_article\/dve-romanticke-basne\/","title":{"rendered":"Dve romantick\u00e9 b\u00e1sne"},"content":{"rendered":"<h3>Joseph von Eichendorff<\/h3>\n<p>Eichendorff (1788-1857) poch\u00e1dzal zo schudobnenej \u0161\u013eachtickej rodiny a u\u017e nebolo \u017eiadneho rodinn\u00e9ho majetku, z ktor\u00e9ho by sa dalo \u017ei\u0165. Na \u017eivobytie si zar\u00e1bal spolu s jednoduch\u00fdmi \u0161t\u00e1tnymi \u00faradn\u00edkmi. Aby unikol \u0161edej ka\u017edodennej realite, Eichendorff p\u00edsal romantick\u00e9 b\u00e1sne, ktor\u00fdch n\u00e1metom je \u010dasto pr\u00edroda a niekedy aj viera. H\u013eadal sp\u00f4soby, ako prejavi\u0165 svoju vieru tak \u010disto, ako je to len mo\u017en\u00e9. Vtedy sa dok\u00e1zal ob\u010das povznies\u0165 ponad seba sam\u00e9ho a pr\u00eds\u0165 s kr\u00e1snymi ver\u0161ami, najm\u00e4 ak boli podporen\u00e9 aj skladate\u013eom, ktor\u00fd ich zhudobnil. B\u00e1se\u0148 \u201e<em>Morgengebet<\/em>\u201c \u2013 v\u00a0preklade \u201e<em>Rann\u00e1<\/em> <em>modlitba<\/em>\u201c \u2013 n\u00e1dherne transformoval na \u0161tvordielnu zborov\u00fa piese\u0148 Felix Mendelssohn-Bartholdy. P\u00f4vodn\u00fd nemeck\u00fd text je nasledovn\u00fd:<\/p>\n<p>&nbsp;<\/p>\n<blockquote><p><strong>Morgengebet<\/strong><\/p>\n<p><em>O wunderbares tiefes Schweigen,<\/em><\/p>\n<p><em>Wie einsam ist&#8217;s noch auf der Welt!<\/em><\/p>\n<p><em>Die W\u00e4lder nur sich leise neigen, <\/em><\/p>\n<p><em>Als ging&#8216; der Herr durch&#8217;s stille Feld.<\/em><\/p>\n<p><em>Ich f\u00fchle mich wie neugeschaffen,<\/em><\/p>\n<p><em>Wo ist die Sorge und die Not?<\/em><\/p>\n<p><em>Was gestern noch mich wollt&#8216; erschlaffen,<\/em><\/p>\n<p><em>Dess sch\u00e4m&#8216; ich mich im Morgenrot.<\/em><\/p>\n<p><em>Die Welt mit ihrem Gram und Gl\u00fccke,<\/em><\/p>\n<p><em>Will ich, ein Pilger, froh bereit<\/em><\/p>\n<p><em>Betreten nur als eine Br\u00fccke<\/em><\/p>\n<p><em>Zu dir, Herr, \u00fcber&#8217;m Strom der Zeit.<\/em><\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p>V preklade do sloven\u010diny znie takto:<\/p>\n<p>&nbsp;<\/p>\n<blockquote><p><strong><em>Rann\u00e1 modlitba<\/em><\/strong><\/p>\n<p><em>\u00d3, z\u00e1zra\u010dn\u00e9 hlbok\u00e9 ml\u010danie,<\/em><\/p>\n<p><em>Ak\u00e9 je predsa na tomto svete osamel\u00e9!<\/em><\/p>\n<p><em>Lesy sa skl\u00e1\u0148aj\u00fa len jemne,<\/em><\/p>\n<p><em>Ako P\u00e1n tich\u00fdm po\u013eom \u0161iel.<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>C\u00edtim sa ako novo stvoren\u00fd,<\/em><\/p>\n<p><em>Kde s\u00fa starosti a\u00a0tr\u00e1penie?<\/em><\/p>\n<p><em>\u010co ma chcelo v\u010dera robi\u0165 bezmocn\u00fdm,<\/em><\/p>\n<p><em>Za to sa v\u00a0\u010dervenom \u00fasvite hanb\u00edm.<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>Do sveta s jeho \u017eia\u013eom a\u00a0\u0161\u0165ast\u00edm<\/em><\/p>\n<p><em>Chcem, p\u00fatnik, \u00faplne pripraven\u00fd,<\/em><\/p>\n<p><em>Vstupova\u0165 len ako na most k\u00a0Tebe, <\/em><\/p>\n<p><em>nad pr\u00fadom \u010dasu, Pane.<\/em><\/p><\/blockquote>\n<p>Ten alebo t\u00e1, kto h\u013ead\u00e1 ticho hlboko vo svojom vn\u00fatri, bude naplnen\u00fd t\u00fdm bo\u017esk\u00fdm, nadprirodzen\u00fdm Svetlom a Silou, \u00a0\u010d\u00edm sa z neho, nej, stane znovuzroden\u00fd, ktor\u00fd je naplnen\u00fd nov\u00fdmi silami. Tak\u00fdto znovu-zroden\u00fd sa stal p\u00fatnikom, ktor\u00fd vedie a sprev\u00e1dza druh\u00fdch, a \u017eije len z t\u00fa\u017eby sl\u00fa\u017ei\u0165 druh\u00fdm v l\u00e1ske, ako most medzi tu a t\u00fdm nov\u00fdm \u017eivotom. T\u00fdmito nieko\u013ek\u00fdmi slovami je vyjadren\u00e1 podstata cesty v r\u00e1mci gnostickej duchovnej \u0161koly.<\/p>\n<p>Kr\u00e1sne interpret\u00e1cie tohto zborov\u00e9ho diela od Mendelssohna n\u00e1jdete na YouTube, napr\u00edklad interpret\u00e1ciu Komorn\u00fdm zborom Stuttgardu (<a href=\"https:\/\/www.youtube.com\/watch?v=UBjNosJ6jZY\">Kammerchor Stuttgart<\/a>.) Venujte zvl\u00e1\u0161tnu pozornos\u0165 tretej slohe. Tam Mendelssohn v ur\u010ditom bode pou\u017e\u00edva r\u00f4zne harm\u00f3nie, akoby chcel poveda\u0165: pozor, tu sa deje nie\u010do zvl\u00e1\u0161tne! Tam, v\u00a0tej tretej slohe, doch\u00e1dza k prechodu medzi vn\u00fatornou pr\u00e1cou a vonkaj\u0161ou pr\u00e1cou \u2013 v\u00a0prospech sveta a \u013eudstva.<\/p>\n<p>&nbsp;<\/p>\n<h3>\u00a0<strong>Hermann Hesse<\/strong><\/h3>\n<p>B\u00e1se\u0148 \u201e<em>Pri ukladan\u00ed sa k sp\u00e1nku<\/em>\u201c (Beim Schlafengehen) nap\u00edsal Hermann Hesse, naroden\u00fd v roku 1877 v Calwe, meste na juhu Nemecka. Cel\u00e9 jeho dielo hovor\u00ed o tom, ako h\u013eadal pravdu. Vo svojej knihe \u201e<em>Cesta v \u00fastrety Rannej Zemi<\/em>\u201c opisuje, ako \u010dlovek, ktor\u00fd sa usiluje o\u00a0to vy\u0161\u0161ie, ho m\u00f4\u017ee dosiahnu\u0165 len vtedy, ke\u010f sa on, ona, prestane sna\u017ei\u0165. Intenz\u00edvne \u201ep\u00fa\u0161\u0165anie\u201c je hlavnou t\u00e9mou Hesseho pr\u00e1ce a \u017eivota. To je vyjadren\u00e9 aj v jeho b\u00e1sni: \u201e<em>Pri ukladan\u00ed sa k sp\u00e1nku<\/em>\u201c:<\/p>\n<p>&nbsp;<\/p>\n<blockquote><p><strong>Beim Schlafengehen<\/strong><\/p>\n<p><em>Nun der Tag mich m\u00fcd gemacht,<\/em><\/p>\n<p><em>soll mein sehnliches Verlangen<\/em><\/p>\n<p><em>freundlich die gestirnte Nacht<\/em><\/p>\n<p><em>wie ein m\u00fcdes Kind empfangen.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><em>H\u00e4nde, la\u00dft von allem Tun,<\/em><\/p>\n<p><em>Stirn, vergi\u00df du alles Denken,<\/em><\/p>\n<p><em>alle meine Sinne nun<\/em><\/p>\n<p><em>wollen sich in Schlummer senken.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><em>Und die Seele unbewacht<\/em><\/p>\n<p><em>will in freien Fl\u00fcgen schweben,<\/em><\/p>\n<p><em>um im Zauberkreis der Nacht<\/em><\/p>\n<p><em>tief und tausendfach zu leben.<\/em><\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p>V preklade do sloven\u010diny znie takto:<\/p>\n<blockquote><p><strong><em>Pri ukladan\u00ed sa k sp\u00e1nku<\/em><\/strong><\/p>\n<p>Teraz, ke\u010f unavil ma de\u0148,<\/p>\n<p>by mala moja vr\u00facna t\u00fa\u017eba<\/p>\n<p>hviezdnu noc radostne priv\u00edta\u0165<\/p>\n<p>s\u0165a znaven\u00e9 die\u0165a.<\/p>\n<p>&nbsp;<\/p>\n<p>Ruky, pustite v\u0161etko konanie,<\/p>\n<p>hlava, zabudni v\u0161etko myslenie,<\/p>\n<p>teraz chc\u00fa v\u0161etky zmysly moje<\/p>\n<p>upadn\u00fa\u0165 v driemanie.<\/p>\n<p>&nbsp;<\/p>\n<p>A\u00a0Du\u0161a nestr\u00e1\u017een\u00e1<\/p>\n<p>sa bude v\u00a0slobodnom lete vzn\u00e1\u0161a\u0165,<\/p>\n<p>aby v z\u00e1zra\u010dnom kruhu noci<\/p>\n<p>hlboko a tis\u00edcorako \u017eila.<\/p>\n<p>&nbsp;<\/p><\/blockquote>\n<p>M\u00f4\u017eeme objavi\u0165 tri vrstvy:<\/p>\n<ul>\n<li class=\"Lijstalinea1CxSpFirst\">sp\u00e1nok tela,<\/li>\n<li class=\"Lijstalinea1CxSpMiddle\">smr\u0165 tela,<\/li>\n<li class=\"Lijstalinea1CxSpLast\">ja-um\u0155tvovanie.<\/li>\n<\/ul>\n<p>T\u00e1to b\u00e1se\u0148 je na prv\u00fd poh\u013ead o zasp\u00e1van\u00ed, d\u00e1vaj\u00fac du\u0161i mo\u017enos\u0165 vst\u00fapi\u0165 do vlastnej oblasti t\u00fdm, \u017ee zanech\u00e1 v\u0161etky pozemsk\u00e9 aktivity. Mnoh\u00fdm je samozrejme zn\u00e1me, \u017ee sp\u00e1nok je viac ako do\u010dasn\u00e1 ne\u010dinnos\u0165 konania a myslenia. V \u0161kol\u00e1ch myst\u00e9ri\u00ed v\u0161etk\u00fdch \u010dias sa navy\u0161e uv\u00e1dza, \u017ee <em>sp\u00f4sob, ak\u00fdm<\/em> \u010dlovek zasp\u00ed, je rozhoduj\u00faci pre to, \u010do sa deje s vyv\u00edjaj\u00facou sa bytos\u0165ou du\u0161e. Jan van Rijckenborgh v\u00a0knihe <em>Egyptsk\u00e1 Pra-Gn\u00f3za<\/em> o tom ob\u0161\u00edrne p\u00ed\u0161e. Uve\u010fme kr\u00e1tky cit\u00e1t z kapitoly XVII <a title=\"\" href=\"#_ftn1\" name=\"_ftnref1\">[1]<\/a>:<\/p>\n<blockquote><p><em>Ka\u017ed\u00fd du\u0161ou-zroden\u00fd \u010dlovek by mal po splnen\u00ed svojich ka\u017edodenn\u00fdch \u00faloh umiestni\u0165 svoj \u017eivot \u00faplne do sf\u00e9ry du\u0161e, a teda pred span\u00edm by sa nemal zaobera\u0165 aspektmi dialektiky. T\u00fdmto sp\u00f4sobom sa sp\u00e1nok tela st\u00e1va triezvos\u0165ou du\u0161e. Ten, kto ide spa\u0165, veden\u00fd du\u0161ou, nasmerovan\u00fd na du\u0161u, ju preb\u00fadza, rob\u00ed ju vedomou. Vibr\u00e1cia astr\u00e1lneho ja, pri ukladan\u00ed sa k sp\u00e1nku, ur\u010duje no\u010dn\u00fd \u017eivot a nasledovn\u00fd denn\u00fd \u017eivot<\/em>.<\/p><\/blockquote>\n<p>Kto teda dok\u00e1\u017ee, pod\u013ea slov Hermanna Hesseho, spr\u00e1vnym sp\u00f4sobom odmietnu\u0165 ka\u017ed\u00e9 konanie a myslenie, m\u00f4\u017ee \u201ev no\u010dnej z\u00e1zra\u010dnej hodine hlboko a tis\u00edcorako \u017ei\u0165\u201c.<\/p>\n<p>\u0160kola Zlat\u00e9ho Kr\u00ed\u017ea s\u00a0Ru\u017eou tie\u017e pon\u00faka pr\u00edle\u017eitos\u0165 prostredn\u00edctvom svojho gnosticko-astr\u00e1lneho po\u013ea.<\/p>\n<p>Po druh\u00e9, vieme, \u017ee smr\u0165 n\u00e1\u0161ho fyzick\u00e9ho tela je len o\u00a0<em>jeden<\/em> krok \u010falej ako sp\u00e1nok. V gr\u00e9ckej mytol\u00f3gii s\u00fa Hypnos a Thanatos, sp\u00e1nok a smr\u0165, jeden druh\u00e9mu bratom.<\/p>\n<p>S\u00fa navz\u00e1jom ve\u013emi \u00fazko prepojen\u00e9. Smr\u0165 nie je do\u010dasn\u00fdm, ale kone\u010dn\u00fdm vz\u00e1jomn\u00fdm oddelen\u00edm na\u0161ich ni\u017e\u0161\u00edch a vy\u0161\u0161\u00edch tiel, a ako tak\u00e1, nie je odli\u0161n\u00e1 od sp\u00e1nku principi\u00e1lne, ale postupne. Ke\u010f nastane t\u00e1 hodina, Herman Hesse n\u00e1s takpovediac povzbudzuje, aby sme nav\u017edy a st\u00e1le odmietli v\u0161etko myslenie, chcenie a konanie; po tom, \u010do sme odmietli st\u00e1le t\u00fa\u017ei\u0165 vyjadrova\u0165 seba v hmote ak\u00fdmko\u013evek sp\u00f4sobom, aby sa tak cesta du\u0161e do Domoviny mohla definit\u00edvne za\u010da\u0165 a eventu\u00e1lne dospie\u0165 do dobr\u00e9ho konca.<\/p>\n<p>Potom, po tretie, tu existuje ka\u017edodenn\u00e9 umieranie, \u010do sa t\u00fdka \u201eja\u201c h\u013eadaj\u00faceho \u010dloveka, v r\u00e1mci gnostickej duchovnej \u0161koly. Potom hovor\u00edme o ceste transfigur\u00e1cie; m\u00f4\u017eeme hovori\u0165 aj o alchymickom umieran\u00ed. T\u00fato alchymick\u00fa smr\u0165 mo\u017eno pova\u017eova\u0165 za najvy\u0161\u0161\u00ed cie\u013e v \u017eivote transfiguristick\u00e9ho kandid\u00e1ta.<\/p>\n<blockquote><p><em>Ten alebo t\u00e1, kto chce pre m\u0148a strati\u0165 svoj \u017eivot, n\u00e1jde vy\u0161\u0161\u00ed \u017eivot,<\/em><\/p><\/blockquote>\n<p>vrav\u00ed Je\u017ei\u0161, ktor\u00fd n\u00e1m priniesol Krista. Alebo, ako p\u00ed\u0161e Catharose de Petri v knihe <em>\u017div\u00e9 slovo<\/em> <a title=\"\" href=\"#_ftn2\" name=\"_ftnref2\">[2]<\/a>:<\/p>\n<blockquote><p><em>\u010coko\u013evek sa prebud\u00ed z Gn\u00f3zy, sa m\u00f4\u017ee prejavi\u0165 iba vtedy, ke\u010f v\u0161etko, \u010do bolo, najprv bolo ukri\u017eovan\u00e9, zomrelo, bolo pochovan\u00e9, a u\u017e nikdy nem\u00f4\u017ee by\u0165 priveden\u00e9 k\u00a0\u017eivotu.<\/em><\/p><\/blockquote>\n<p>Ke\u010f kr\u00e1\u010dame po tejto ceste v pokojnom tichu a seba-odovzdan\u00ed, m\u00f4\u017eeme e\u0161te pred fyzickou smr\u0165ou \u201ahlboko a tis\u00edcorako \u017ei\u0165\u2018! \u010co to znamen\u00e1? To je \u017eivot \u2013 v\u0161imnime si \u010d\u00edslo 1000 \u2013 v jednote a trojakom spojen\u00ed s ve\u010dnos\u0165ou.<\/p>\n<p>V roku 1948 Richard Strauss n\u00e1dherne zhudobnil t\u00fato Hesseho b\u00e1se\u0148 pre sopr\u00e1n a\u00a0orchester, ako s\u00fa\u010das\u0165 \u201e<em>\u0160tyroch posledn\u00fdch piesn\u00ed<\/em>\u201c. V tom \u010dase u\u017e bol Strauss star\u00fd a dosiahol koniec svojho \u017eivota. Tieto neskororomantick\u00e9 \u201e<em>\u0160tyri posledn\u00e9 piesne<\/em>\u201c vy\u017earuj\u00fa pocit pokoja a prijatia. Hlas sopr\u00e1nu je pokojne sprev\u00e1dzan\u00fd ve\u013ek\u00fdm orchestrom. Na YouTube si m\u00f4\u017eete vypo\u010du\u0165 n\u00e1dhern\u00fa interpret\u00e1ciu t\u00fdchto piesn\u00ed, ktor\u00e9 spieva napr\u00edklad <a href=\"https:\/\/www.youtube.com\/watch?v=Se0HPsJex04\">Jessye Norman<\/a>.<\/p>\n<p>Uveden\u00e1 b\u00e1se\u0148 je tre\u0165ou \u010das\u0165ou tohto cyklu piesn\u00ed.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h3>Zdroje:<\/h3>\n<p><a title=\"\" href=\"#_ftnref1\" name=\"_ftn1\">[1]<\/a> J. van Rijckenborgh, 2017. <a href=\"https:\/\/www.goldenrosycross.org\/books\/the-egyptian-arch-gnosis-1\"><em>The Egyptian Arch Gnosis<\/em><\/a>, <em>(Egyptsk\u00e1 Pra-Gn\u00f3za),<\/em> \u00a0<a href=\"https:\/\/www.rozekruispers.com\/nl\/product\/9789070196882\/the-egyptian-arch-gnosis-1.html\">Rozekruis Pers<\/a>, \u010cas\u0165 I, kapitola XVII, Haarlem 2017<\/p>\n<p><a title=\"\" href=\"#_ftnref2\" name=\"_ftn2\">[2]<\/a> Catharose de Petri, 2001. <em><a href=\"https:\/\/www.goldenrosycross.org\/books\/the-living-word\">The Living Word<\/a> (\u017div\u00e9 slovo)<\/em>, s. 45, kapitola: <em>O Death, where is thy victory? (\u00d3, smr\u0165, kde je tvoje v\u00ed\u0165azstvo?), <\/em>Rozekruis Pers, Haarlem 2001<\/p>\n","protected":false},"author":934,"featured_media":55562,"template":"","meta":{"_acf_changed":false},"tags":[],"category_":[110433],"tags_english_":[],"class_list":["post-117434","logon_article","type-logon_article","status-publish","has-post-thumbnail","hentry","category_-art-sk"],"acf":[],"_links":{"self":[{"href":"https:\/\/logon.media\/sk\/wp-json\/wp\/v2\/logon_article\/117434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/logon.media\/sk\/wp-json\/wp\/v2\/logon_article"}],"about":[{"href":"https:\/\/logon.media\/sk\/wp-json\/wp\/v2\/types\/logon_article"}],"author":[{"embeddable":true,"href":"https:\/\/logon.media\/sk\/wp-json\/wp\/v2\/users\/934"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/logon.media\/sk\/wp-json\/wp\/v2\/media\/55562"}],"wp:attachment":[{"href":"https:\/\/logon.media\/sk\/wp-json\/wp\/v2\/media?parent=117434"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/logon.media\/sk\/wp-json\/wp\/v2\/tags?post=117434"},{"taxonomy":"category_","embeddable":true,"href":"https:\/\/logon.media\/sk\/wp-json\/wp\/v2\/category_?post=117434"},{"taxonomy":"tags_english_","embeddable":true,"href":"https:\/\/logon.media\/sk\/wp-json\/wp\/v2\/tags_english_?post=117434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}