{"id":90219,"date":"2020-01-29T17:11:44","date_gmt":"2020-01-29T17:11:44","guid":{"rendered":"https:\/\/logon.media\/logon_article\/europa-o-aventura\/"},"modified":"2020-01-29T17:11:44","modified_gmt":"2020-01-29T17:11:44","slug":"europa-o-aventura","status":"publish","type":"logon_article","link":"https:\/\/logon.media\/ro\/logon_article\/europa-o-aventura\/","title":{"rendered":"Europa &#8211; o aventur\u0103"},"content":{"rendered":"<p>Europa este un loc al na\u021biunilor unite. Dar este \u0219i mult mai mult. \u00cen spatele imnului european se ascunde ideea unei persoane ce r\u0103t\u0103ce\u0219te sub \u201ebolta \u00eenstelat\u0103\u201d, \u00een timp ce se confrunt\u0103 cu dorul s\u0103u de o identitate divin\u0103. Cu acest dor, tinde spre o surs\u0103 ce poart\u0103 totul \u00een afara firmamentului \u00eenstelat. A stabili o astfel de imagine alchimico-ermetic\u0103 a omului prin imnul european \u00een mijlocul unei comunit\u0103\u021bi de state este o aventur\u0103 captivant\u0103.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<p>Friedrich Schiller descrie aceast\u0103 persoan\u0103 \u00een poezia sa <em>Od\u0103 bucuriei<\/em>. O parte din ea a fost ulterior transpus\u0103 muzical \u00een ultima parte a <em>Simfoniei a IX-a<\/em> a lui Ludwig van Beethoven. Tema sa principal\u0103 a fost declarat\u0103 imnul european \u00een 1972. Un imn este un c\u00e2ntec de laud\u0103, l\u0103ud\u00e2nd fiin\u021ba uman\u0103. \u00cen imnul european, omul \u00eensu\u0219i devine un erou. Imagineaz\u0103-\u021bi cum ar putea ar\u0103ta o Europ\u0103 plin\u0103 de eroi de acest fel. Probabil c\u0103 ar debloca lumea, care se bazeaz\u0103 pe faptul c\u0103 realitatea \u0219i idealitatea nu pot coexista. Nenum\u0103rate abord\u0103ri culturale abordeaz\u0103 aceast\u0103 provocare \u00een dezvoltarea uman\u0103. Una dintre ele este alchimia. De\u0219i aproape uitat\u0103 \u00een ziua de azi, aceasta a \u00eenso\u021bit omenirea timp de mii de ani cu universala sa \u00een\u021belepciune.<\/p>\n<p>Cei care sunt mai informa\u021bi despre alchimie \u0219i sunt familiariza\u021bi cu tradi\u021bia ermetic\u0103 a g\u00e2ndirii pe care se bazeaz\u0103 vor recunoa\u0219te \u00een ea un puternic curent spiritual care face parte integrant\u0103 din tradi\u021bia cultural\u0103 european\u0103. Pentru o persoan\u0103 cu g\u00e2ndire ra\u021bional\u0103 \u0219i uneori superficial\u0103, ast\u0103zi, o poveste despre alchimie ar \u00eencepe probabil dup\u0103 cum urmeaz\u0103:<\/p>\n<p><strong>Alchemy and making gold<\/strong><\/p>\n<p><strong>Alchimia \u0219i fabricarea aurului<\/strong><\/p>\n<p>\u00cen casa \u00eentunecat\u0103 de la cap\u0103tul str\u0103zii tr\u0103ia alchimistul. Nimeni nu-l cuno\u0219tea cu adev\u0103rat \u0219i \u00eel \u00eent\u00e2lneai arar. Adesea, ie\u0219ea noaptea, c\u00e2nd aduna plante sau pietricele \u00een timpul lunii pline. S-a spus c\u0103 lucra pentru rege. Laboratorul \u0219i casa f\u0103ceau parte din palat. Aurul pentru rege trebuia s\u0103 se fac\u0103 acolo, au spus oamenii. Unii \u00eei z\u00e2mbeau, iar al\u021bii se strecurau cu ochi lacomi \u00een jurul casei sale.<\/p>\n<p>Chiar \u0219i ast\u0103zi, mul\u021bi \u00eenc\u0103 z\u00e2mbesc c\u00e2nd aud cuv\u00e2ntul alchimie.&nbsp; \u00cen diferite perioade ale Evului Mediu \u0219i ai Rena\u0219terii&nbsp; fost mul\u021bi doritori \u00een a deveni \u201eproduc\u0103tori de aur\u201d ce au c\u0103utat febril Piatra Filosofal\u0103 pentru a se \u00eembog\u0103\u021bi.<\/p>\n<p>Ast\u0103zi avem sisteme financiare globale , pre\u021bul aurului este anun\u021bat zilnic la radio. Rezervele de aur joac\u0103 un rol crucial \u00een acest sistem de \u201efabricare a aurului\u201d modern. Acest sistem financiar este o parte a inimii Europei. Ra\u021bionali, g\u00e2nditori \u0219tiin\u021bifici, au dep\u0103\u0219it l\u0103comia pentru aur?<\/p>\n<p>Sistemele financiare moderne, cu scandalurile lor, ne arat\u0103 c\u0103 l\u0103comia pentru aur este ascuns\u0103 doar sub o diferit\u0103 \u00eembr\u0103c\u0103minte&nbsp; ast\u0103zi. Mai mult ca oric\u00e2nd, mul\u021bi oameni sunt preocupa\u021bi de \u201eproducerea formei inferioare de aur\u201d, de a face bani. Multe persoane au mai multe \u00een comun cu \u0219arlatanul alchimic de alt\u0103dat\u0103 dec\u00e2t vor s\u0103 recunoasc\u0103.<\/p>\n<p><strong>Esen\u021ba spiritual\u0103&nbsp; <\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<p>T\u0103cutul alchimist cu g\u00e2ndire ermetic\u0103&nbsp; blestemat a \u00eencerca a face aur&nbsp; fizic, palpabil, pentru a discredita o \u0219tiin\u021b\u0103 universal\u0103. Hermeticismul a combinat astronomia, astrologia, arta, \u0219tiin\u021bele naturii, filozofia \u0219i religia. Considera Piatra Filosofal\u0103 ca o stare special\u0103 a sufletului \u00een care se putea crea aur spiritual. \u00cen secolul trecut, C.G. Jung a subliniat \u00een special aspectul spiritual al alchimiei. El a subliniat c\u0103 scrierile alchimice sunt pline de imagini \u0219i simboluri.<\/p>\n<p>\u201eIa dragonul \u0219i las\u0103-l s\u0103 devoreze soarele \u0219i luna\u201d. &#8211; Oricine cite\u0219te a\u0219a ceva \u00eentr-o veche scriptur\u0103 alchimic\u0103 trebuie s\u0103 ia \u00een primul r\u00e2nd aceast\u0103 imagine \u0219i apoi s\u0103 decid\u0103 dac\u0103 va c\u0103uta o solu\u021bie chimic\u0103 sau una spiritual\u0103. Va prefera s\u0103 citeasc\u0103 dragonul ca fiind un acid ce dizolv\u0103 aurul \u0219i argintul sau va vedea mai degrab\u0103 dragonul ca fiind puternicul suflet al fiin\u021bei umane? \u00cen cea de-a doua lectur\u0103, dragonul poate simboliza at\u00e2t sufletul lacom al aurului materialistului, dragonul \u00eentunecat, malefic, devorator auriu \u0219i argint sau dragonul auriu transformat, care deranjeaz\u0103 aceast\u0103 lume prin devoarea soarelui \u0219i a lunii.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<p>Mai \u00eent\u00e2i vedem dragonul ca fiind r\u0103ul dec\u0103zut \u0219i mai apoi vedem balaurul de aur, izb\u0103vit. Este simbol pentru omul care se cufund\u0103 \u00een pace. El intr\u0103 \u00een sanctuarul ceresc ce p\u0103ze\u0219te \u00eentreaga lume a dragonului r\u0103u sau \u00eentunecat. Prin urmare, dragonul este simbol at\u00e2t al fiin\u021belor umane p\u0103m\u00e2nte\u0219ti, c\u00e2t \u0219i al celor cere\u0219ti. \u00cent\u00e2lnim omul ceresc \u00een <em>Simfonia a IX-a<\/em> a lui Beethoven \u0219i poemul lui Friedrich Schiller&nbsp; <em>Od\u0103 bucuriei<\/em>. \u0218i \u00eent\u00e2lnim aspectul p\u0103m\u00e2ntesc sau material al alchimistului \u00een sistemele noastre financiare de zi cu&nbsp;&nbsp; zi. Dar am\u00e2ndou\u0103 se reg\u0103sesc simultan \u00een natura omului, deoarece acesta este dual.<\/p>\n<p><strong>Esen\u021ba alchimiei<\/strong><\/p>\n<p>Esen\u021ba alchimiei este una dual\u0103, asemeni sufletului uman, simbolizat\u0103 prn cei doi dragoni. Cele dou\u0103 zone suflete\u0219ti corespund dou\u0103 tipuri de percep\u021bie. Omul ceresc vede lumea altfel:<\/p>\n<p>&#8222;Putem considera lumea ca fiind format\u0103 dintr-o singur\u0103 substan\u021b\u0103 primordial\u0103, care se afl\u0103 \u00een vibra\u021bii diferite. Diversitatea acestor vibra\u021bii este baza tuturor formelor vizibile \u0219i invizibile.&#8221;<\/p>\n<p>Cu aceast\u0103 scurt\u0103 afirma\u021bie, teosoful doctor Franz Hartmann rezum\u0103 esen\u021ba alchimiei. \u00cen aceast\u0103 privin\u021b\u0103, nu este doar o \u0219tiin\u021b\u0103, un instrument pentru a produce aur din metale de baz\u0103. Este mai presus de orice o anumit\u0103 atitudine fa\u021b\u0103 de via\u021b\u0103 \u0219i o viziune asupra lumii \u00een care eternul devine vizibil prin formarea formelor. Acest tip de alchimie deschide posibilitatea ca omul s\u0103 \u00een\u021beleag\u0103 \u201eceea ce \u021bine lumea \u00eempreun\u0103 \u00een miezul s\u0103u\u201d. Simbolic, acesta este Dragonul de Aur care p\u0103ze\u0219te dragonul \u00eentunecat. Dragonul de Aur este cel care \u00eel transform\u0103 pe om \u0219i \u00eel transport\u0103 c\u0103tre sanctuarul ceresc.<\/p>\n<p>Viziunea dubl\u0103 a alchimiei \u00ee\u0219i are r\u0103d\u0103cinile \u00een g\u00e2ndirea ermetic\u0103. Primul alchimist, \u0219i tat\u0103l tuturor dintre ei, este Hermes Trismegistul, \u201eCel de trei ori mare\u201d. Cercet\u0103rile moderne presupun c\u0103 numele este un pseudonim sub care genera\u021biile de filosofi \u0219i-au publicat g\u00e2ndurile.<\/p>\n<p>Cel mai \u00eenalt obiectiv al alchimiei este cel de a produce Piatra Filosofal\u0103. Realizat\u0103 \u00een partea cea mai profund\u0103 a omului, iar cea mai \u00eenalt\u0103 \u00een\u021belepciune a omului ceresc este concentrat\u0103 \u00een ea. Alchimia este o punte \u00eentre dou\u0103 lumi. Piatra Filosofal\u0103 face ca puterile omului ceresc din lumea noastr\u0103 s\u0103 fie tangibile ca g\u00e2nd, cuv\u00e2nt \u0219i simbol. Odat\u0103 cu Piatra Filosofal\u0103, \u00eencepe transformarea fiin\u021bei noastre p\u0103m\u00e2nte\u0219ti \u0219i pe l\u00e2ng\u0103 g\u00e2ndirea \u201eorizontal\u0103\u201d, g\u00e2ndirea \u201evertical\u0103\u201d devine tangibil\u0103. \u00cen acest moment omul se afl\u0103 \u00een fa\u021ba unui&nbsp; prag \u00een care nu mai poate ignora profundele \u00eentreb\u0103ri fundamentale ale existen\u021bei sale.<\/p>\n<p><strong>G\u00e2ndirea vertical\u0103 \u0219i g\u00e2ndirea orizontal\u0103<\/strong><\/p>\n<p>\u00cen reflec\u021biile sale despre cer \u0219i p\u0103m\u00e2nt, scriitorul maghiar S\u00e1ndor M\u00e1rai descrie omul dual:<\/p>\n<p>\u201eOmul obi\u0219nuit, cuget\u0103torul cu g\u00e2nduri \u00eenguste \u0219i confortabile, vede \u0219i simte lumea pe orizontal\u0103. O persoan\u0103 care are suficient curaj pentru a \u00een\u021belege realitatea, vede lumea cea mic\u0103 \u0219i&nbsp; pe cea mare pe vertical\u0103. Cele dou\u0103 puncte de vedere nu sunt niciodat\u0103 congruente, ci se ciocnesc undeva \u00eentrun singur punct de intersec\u021bie. Acest punct de intersec\u021bie este&nbsp; uneori crucea \u0219i alteori rugul. &#8221; (Sandor Marai, <em>Cer \u0219i P\u0103m\u00e2nt<\/em>)<\/p>\n<p>Alchimistul ce urm\u0103re\u0219te aurul material are multe \u00een comun cu fiin\u021ba uman\u0103 orizontal g\u00e2nditoare. El crede doar \u00een ceea ce poate \u00een\u021belege senzorial. Orice altceva, el \u00eel va expune rapid ridicolului. El caut\u0103 recunoa\u0219tere, putere, faim\u0103, bog\u0103\u021bea \u0219i o via\u021b\u0103 lipsit\u0103 de griji. Persoana cu g\u00e2ndire vertical\u0103 este preocupat\u0103 de \u00eentreb\u0103rile fundamentale ale vie\u021bii. El nu numai c\u0103 examineaz\u0103 structura cantitativ\u0103 a materiei, a\u0219a cum suntem obi\u0219nui\u021bi \u00een \u0219tiin\u021bele noastre naturale de azi. \u00cel intereseaz\u0103, de asenmenea, rela\u021biile pe care le numim via\u021b\u0103, calitatea lor \u0219i modelele lor de schimbare.<\/p>\n<p><strong>Fa\u021ba modern\u0103 a Europei&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n<p>Opinia alchimistului cu g\u00e2ndire vertical\u0103 nu joac\u0103 niciun rol evident \u00een Europa de azi. Inima Europei const\u0103 \u00een sisteme economice \u0219i financiare concurente. Termenii tehnici precum r\u0103zboiul comercial, preluarea ostil\u0103, etc. arat\u0103 caracterul acestei inimi. L\u0103comia pentru bani sau aur \u0219i \u201ementalitatea de a face aur\u201d predomin\u0103. Sunt consecin\u021bele unei viziuni materialiste asupra realit\u0103\u021bii.<\/p>\n<p><strong>Imnul european \u0219i alchimia spiritual\u0103 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <\/strong><\/p>\n<p><em>Bucurie, frumoas\u0103 sc\u00e2nteie a Divinit\u0103\u021bii,<br \/>\nFiic\u0103 din <a href=\"https:\/\/ro.qwe.wiki\/wiki\/Elysium\">Elysiu<\/a>m, <\/em><br \/>\n<em>Intr\u0103m, \u00eemb\u0103ta\u021bi de foc, <\/em><br \/>\n<em>Cel Ceresc, sanctuarul t\u0103u! <\/em><br \/>\n<em>Str\u00e2ns, m<\/em><em>agia ta ne cuprinde din nou <\/em><br \/>\n<em>Ce obicei \u00eemp\u0103r\u021bit strict ; <\/em><br \/>\n<em>Fra\u021bi devin cuto\u021bii, oameni<\/em><em>, <\/em><br \/>\n<em>Acolo unde bl\u00e2ndele tale aripi r\u0103m\u00e2n. <\/em><\/p>\n<p>Totu\u0219i, aceast\u0103 p\u0103rere nu este unica. Potrivit lui Paracelsus, exist\u0103 o inferioar\u0103 \u0219i &#8211; pe baza filosofiei ermetice \u2013 o superioar\u0103 alchimie \u00een laboratorul alchimistului. Niciuna nu este posibil\u0103 f\u0103r\u0103 cealalt\u0103.<\/p>\n<p>Astfel, Europa, cu sistemele sale financiare \u0219i via\u021ba social\u0103 de zi cu zi, cunoa\u0219te bine alchimia inferioar\u0103. \u00cen imaginea alchimic\u0103, masonic\u0103 a omului ce st\u0103 la baza imnului european, se eviden\u021biaz\u0103 alchimia superioar\u0103. Imnul european pune accentul pe aspectul uman al societ\u0103\u021bii.<\/p>\n<p>\u00cen <em>Od\u0103 bucuriei,<\/em> Schiller descrie at\u00e2t mica&nbsp; lume a omului, ce const\u0103 din cer \u0219i p\u0103m\u00e2nt \u0219i este dominat\u0103 de g\u00e2ndirea orizontal\u0103 dar \u0219i lumea de deasupra firmamentului \u00eenstelat cu \u201ecerul deasupra cerului\u201d. Perceperea acestui cer deasupra cerului este scopul omului cu g\u00e2ndire vertical\u0103. Ca un c\u0103l\u0103tor al cerului, el str\u0103punge firmamentul pentru a se trezi \u0219i a deveni con\u0219tient \u00een alt\u0103 lume.<\/p>\n<p>C\u00e2t timp \u00eei ia unei persoane pentru a se deschide c\u0103tre g\u00e2ndirea vertical\u0103? Ce se \u00eent\u00e2mpl\u0103 c\u00e2nd g\u00e2ndirea vertical\u0103 agit\u0103 structura orizontal\u0103 a experien\u021bei? Pentru europeanul, ce tr\u0103ie\u0219te \u00een societatea modern\u0103 \u0219i se confrunt\u0103 cu imaginea unui om ceresc \u00een imn, dou\u0103 u\u0219i i se deschid \u00een fiecare zi. El \u00eensu\u0219i este \u00een punctul de intersec\u021bie al acestor dou\u0103 lumi \u0219i, astfel, via\u021ba sa st\u0103 din nou \u0219i din nou \u00een fa\u021ba crucii ce \u00eel ridic\u0103 la cer \u0219i, uneori, \u00een fa\u021ba rugului pe care arde tot ceea ce nu este compatibil cu adev\u0103rata fiin\u021b\u0103 uman\u0103.<\/p>\n","protected":false},"author":922,"featured_media":7792,"template":"","meta":{"_acf_changed":false},"tags":[],"category_":[110121],"tags_english_":[],"class_list":["post-90219","logon_article","type-logon_article","status-publish","has-post-thumbnail","hentry","category_-zeitgeist-ro"],"acf":[],"_links":{"self":[{"href":"https:\/\/logon.media\/ro\/wp-json\/wp\/v2\/logon_article\/90219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/logon.media\/ro\/wp-json\/wp\/v2\/logon_article"}],"about":[{"href":"https:\/\/logon.media\/ro\/wp-json\/wp\/v2\/types\/logon_article"}],"author":[{"embeddable":true,"href":"https:\/\/logon.media\/ro\/wp-json\/wp\/v2\/users\/922"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/logon.media\/ro\/wp-json\/wp\/v2\/media\/7792"}],"wp:attachment":[{"href":"https:\/\/logon.media\/ro\/wp-json\/wp\/v2\/media?parent=90219"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/logon.media\/ro\/wp-json\/wp\/v2\/tags?post=90219"},{"taxonomy":"category_","embeddable":true,"href":"https:\/\/logon.media\/ro\/wp-json\/wp\/v2\/category_?post=90219"},{"taxonomy":"tags_english_","embeddable":true,"href":"https:\/\/logon.media\/ro\/wp-json\/wp\/v2\/tags_english_?post=90219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}